Film formats

1. Academy
   • Description: It was created by AMPAS in 1932
   • Film Gauge: 35mm
   • Direction of travel: Vertical - four perforations - 24 fps
   • Aperture: 0.825" x 0.600" nominal
   • Dimensions Aspect Ratio: 1.37:1
2. ArriScope-ArriVision
   • Description: ArriScope and ArriVision were designed by the Arriflex Camera Corporation
   • Film Gauge: 35mm
   • Direction of travel: Vertical - four perforations - 24 fps
   • Aperture: 0.825" x 0.600" nomina
   • Dimensions Aspect Ratio: 2.35:1
3. Cinerama
   • Description: It was creates by Fred Waller in 1952
   • Film Gauge: 35mm x 3
   • Direction of travel: Vertical - six perforations 24 fps
   • Aperture: 0.996" x 1.116"
   • Dimensions Aspect Ratio: 2.59:1
4. Cinerama 70mm
   • Description: Created in 1960 by MGM, it also known as Super Cinerama
   • Film Gauge: 70mm
   • Direction of travel: Vertical - five perforations 24 fps
   • Aperture: 1.912" x .0.870" nominal
   • Dimensions Aspect Ratio: 2.75:1
5. CinemaScope
   • Description: Created by 20th Century Fox in 1953
   • Film Gauge: 35mm
   • Direction of travel: Vertical - four perforations - 24 fps
   • Aperture: 0.864 x 0.732" nominal
   • Dimensions Aspect Ratio: 2.35:1
6. CinemaScope 55
   • Description: Created in 1953 by 20th Century Fox
   • Film Gauge: 55mm
   • Direction of travel: Vertical - four perforations - 24 fps
   • Aperture: 0.912" x .0.715" nominal
   • Dimensions Aspect Ratio: 2.55:1
7. Dimension 150
   • Description: Created by American Optical Company in 1966
   • Film Gauge: 70mm
   • Direction of travel: Vertical - four perforations - 24 fps
   • Aperture: 2.066" x 0.906"
   • Dimensions Aspect Ratio: 2.07:1
8. Fearless SuperFilm
   • Description: It was designed by Ralph G. Fear in 1930
   • Film Gauge: 65mm
   • Direction of travel: Vertical - four perforations - 24 fps
   • Aperture: 1.811" x 0.906"
   • Dimensions Aspect Ratio: 2.05:1
9. Grandeur 70
   • Description: Created by 20th Century Fox in 1961
   • Film Gauge: 70mm
   • Direction of travel: Vertical - four perforations - 24 fps
   • Aperture: 1.768" x .0.885" nominal
   • Dimensions Aspect Ratio: 2:01
10. Imax
    • Description: Created by IMAX Corporation in 1970
    • Film Gauge: 70mm
    • Direction of travel: horizontally - fifteen perforations - 24 fps
    • Aperture: 2.740" x .1.910" nominal
    • Dimensions Aspect Ratio: 1.43:1
11. Magnascope
    • Description: Invented by Lorenzo del Riccio in 1926
    • Film Gauge: 35mm
    • Direction of travel: Vertical - four perforations - 24 fps
    • Aperture: 0.980" x 0.735"
    • Dimensions Aspect Ratio: 2:18:01
12. Matted 1.66:1
    • Description: Created by Paramount, in 1953
    • Film Gauge: 35mm
    • Direction of travel: Vertical - four perforations - 24 fps
    • Aperture: 0.825" x .0.496" nominal
    • Dimensions Aspect Ratio: 1.66:1
13. Matted 1.85:1
    • Description: Created by Universal, in 1953
    • Film Gauge: 35mm
    • Direction of travel: Vertical - four perforations - 24 fps
    • Aperture: 0.825" x .0.446" nominal
    • Dimensions Aspect Ratio: 1.85:1
14. Natural Vision
    • Description: Created by George K. Spoor and P. John Berggren in 1925
    • Film Gauge: 63.5mm
    • Direction of travel: Vertical - four perforations - 20 fps
    • Aperture: 0.864" x 0.732" nominal
    • Dimensions Aspect Ratio: 1.85:1 35mm sound at 24 fps interlocked with film.
15. Realife 70mm
    • Description: Created by MGM in 1930
    • Film Gauge: 70mm
    • Direction of travel: Vertical - four perforations - 24 fps
    • Aperture: 1.958" x 0.847" nominal
    • Dimensions Aspect Ratio: 2.13:1
16. Super 35mm
    • Description: Created by Joe Dunton, in 1982
    • Film Gauge: 35mm
    • Direction of travel: Vertical - four perforations - 24 fps
    • Aperture: 0.980" x 0.735" nominal
    • Dimensions Aspect Ratio: Variable Standard 1.33:1 Widescreen 1.85:1 Panavision 2.35:1
17. SuperScope
    • Description: Created by Tushinsky Brothers, in 1954
    • Film Gauge: 35mm
    • Direction of travel: Vertical - four perforations - 24 fps
    • Aperture: 0.715" x .0.715" nominal
    • Dimensions Aspect Ratio: 2:01
18. Super Technirama 70mm
    • Description: Created by Technicolor, in 1959
    • Film Gauge: 35mm
    • Direction of travel: Vertical - five perforations - 24 fps
    • Aperture: 1.364" x .0.715" nominal
    • Dimensions Aspect Ratio: 2.35:1
19. Techniscope
    • Description: Created by Technicolor, in 1960
    • Film Gauge: 35mm
    • Direction of travel: Vertical - two perforations - 24 fps
    • Aperture: 0.838" x 0.7"
    • Dimensions Aspect Ratio: 2.35:1
20. Technirama 35mm
    • Description: Created by Technicolor, in 1956
    • Film Gauge: 35mm
    • Direction of travel: horizontally - eight perforations - 24 fps
    • Aperture: 1.898" x .0.715" nominal
    • Dimensions Aspect Ratio: 2.35:1
21. Todd-AO
    • Description: Created by Michael Todd in 1955
    • Film Gauge: 65mm
    • Direction of travel: Vertical - five perforations 30 fps
    • Aperture: 2.072" x .0.906" nominal
    • Dimensions Aspect Ratio: 2.2:1
22. Ultra Panavision 70mm and MGM Camera 65
    • Description: Created by Panavision, in 1957
    • Film Gauge: 65mm
    • Direction of travel: Vertical - five perforations - 24 fps
    • Aperture: 2.072" x .0.906 nominal
    • Dimensions Aspect Ratio: 2.76:1
23. Vitascope
    • Description: Created by Ralph G. Fear, in 1930
    • Film Gauge: 65mm
    • Direction of travel: Vertical - five perforations - 24 fps
    • Aperture: 1.772" x 0.866"
    • Dimensions Aspect Ratio: 2:01
24. VistaVision
    • Description: Created byb Paramount Pictures in 1954
    • Film Gauge: 35mm
    • Direction of travel: horizontally - eight perforations - 24 fps
    • Aperture: 1.485" x .0.990" nominal
    • Dimensions Aspect Ratio: 1.6:1
25. Widescreen 1.85:1
    • Description: The standard widescreen format in use today Cinemas
    • Film Gauge: 35mm
    • Direction of travel: Vertical - four perforations - 24 fps
    • Aperture: 0.825" x .0.446" nominal
    • Dimensions Aspect Ratio: 1.85:1